Okay, I’m going to just come out and say it: I need to stop reading books that are halfway through a series. I was drawn to Sophie Hannah’s The Telling Error because, among other things, its plot involves secret online personas, Twitter spats and, well, the Internet. Oh, how I love the Internet. But my Internet-based attraction ignored that The Telling Error is part of the successful Culver Valley Crime series. So, as I have experienced before with books read out of sequence, I found this slow to get into. I don’t have the character investment those familiar with the series presumably do. I also found there to be a confusing (and possibly deliberately so) number of characters. As I read this on a Kindle I really wished I had the real deal in my hands, in order to flick back and check who was who.
That said, once my brain had caught up I found this to be a gripping and darkly comic tale. When a key character revealed the reason for their dissatisfaction with their partner I genuinely laughed out loud. Hannah has clearly had a lot of fun writing this and, (once I’d really got stuck in), the reader is in on the joke.
Laughs aside, there is genuine fear and apprehension to be found in these pages, and Hannah’s analysis of the human character feels uncomfortably like the ugly truth. (Please note this book doesn’t contain overly gruesome detail of dead bodies: always a plus in my eyes!) An interesting premise for existing fans, but new arrivals may be better starting at the beginning of the Culver Valley series.
The Telling Error, Sophie Hannah: My bad: 3.5/5